van
Heijningen's THE THING prequel seamlessly
serves both master and beast while paying
homage to Carpenter's classic
At an
isolated research outpost in
Antarctica, a scientific discovery
full of possibility becomes a
mission of survival when an alien is
unearthed by a crew of international
scientists. When a simple experiment
frees it from its frozen prison, the
shape-shifting creature has the
ability to turn itself into a
perfect replica of any living being
and the lead Paleontologist and her
pilot must keep the "the thing" from
killing them off one at a time.
HOW
DARE YOU?!!
Do
you remake Citizen
Kane? Do you reimagine Star
Wars? (okay if you're George
Lucas, I guess my rant means
nothing to you) So how
can anyone remake, reboot, reimagine
John
Carpenter's iconic
sci-fi/thriller, THE
THING?! It's sacrilegious, no?
Primarily
renowned as an award-winning
commercial director, Heijningen had
two criteria before he accepted the
job:
1). Hire Norwegian actors, and
2). Utilize practical
effects.That alone shows you what
kind of movie the filmmakers wanted
to bring to the screen and how much
they respected the original film's
feel.
Here's
a quick outline of the film's plot:
Taking
place three days before the events
of The John Carpenter film,
paleontologist, Kate Lloyd (Mary
Elizabeth Winstead) is
recruited by scientist, Sander
Halversen (Ulrich
Thompson) and his assistant
Adam Goodman (Eric
Christian Olsen) to join a
Norwegian scientific team that has
stumbled across a crashed
extraterrestrial spaceship buried
beneath the ice of Antarctica. They
discover a frozen corpse of a
creature that has seem to have died
in a crash eons ago.
After
recovering the creature in a frozen
block of ice, they transport it back
to their base and conduct an
experiment that frees the alien from
its frozen prison. Kate joins the
crew's pilot (Joel
Edgerton) to keep it from
killing and imitating them one at a
time, using its uncanny ability to
mimic any life form it absorbs
through digestion, and potentially
reaching civilization.
So
that is pretty much it in a
snowball.
What
I LOVED about this prequel is that
it pays homage to the vision that
John Carpenter had back in 1982
while not bastardizing the original
- so often the case in today's
reboots. Director, Heijningen said
that remaking Carpenter's version
would be like drawing a mustache on
the MONA
LISA. Heijningen creates a
visual time capsule that transports
the moviegoer back to '82 ...from
the painstaking reproduction of the
Norwegian "Station 31" set piece to
using practical creature effects
that would make original film's
special effects legend, Rob
Bottin beam with pride.
Heijningen's direction is fast paced
and energetic. His slow burn
storytelling is king here. Building
the tension without losing momentum.
(Heijningen has said that he would
love to take a swing at another
Universal property "An American
Werewolf in London," after this
outing... he could totally do it
justice.)
Joel
Edgerton has been having a great
time as of late with WARRIOR and now
THE THING. Edgerton brings a
familiar gruffness that may remind
purists of Kurt
Russell's "MacReady" in the
original but Edgerton convincingly
owns his role as "Braxton Carter"
without aping Russell's legendary
hero.
The
star in this prequel IS Mary
Elizabeth Winstead. While easily
compared to Sigourney
Weaver's "Ripley" in the ALIEN
franchise, Winstead brings about a
conviction and believability to the
role of Kate Lloyd, that Ripley
would be honored to kick some alien
tail with. Winstead, once crowned a
scream-queen can now take on the
mantle of "Queen of Badassery"! This
film is a fun popcorn flick, filled
with good old-fashioned scares that
is reminiscent of a simpler time
when films were meant to fill you
with terror and horror and not
numbingly shock you with buckets of
puss and blood.
This
film is not your Daddy's THE THING
...it's this generation's THE THING!
Welcome it! Embrace it! Heck, let it
take over your body and happily do
the crab walk across the cineplex
floor!
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